Presented at
31C3 (2014),
Dec. 28, 2014, 11 p.m.
(60 minutes)
This talk asks how we might plan for the continuation of a privacy sustaining internet in light of growing trends in enforced identity checking and demonisation of everyday anonymity. It presents a 'free phonebox' project, which was tested at the FutureEverything art and technology festival in 2014, as an example of a social-technical system that promotes identity ambiguity in communication through the sharing of 'free' mobile phone minutes between strangers.
The project presented in this talk uses a computer running debian to connect a USB handset to one of a number of 'donor' mobile phones by acting as a bluetooth handsfree headset to each of the mobiles. The project is based on No Hands a GPLv2 implementation of the Bluetooth HFP 1.5 Hands Free Protocol. A free phonebox that randomly assigns calls made to one of the participating mobiles nearby acts a little like a low-tech remailer (mix network node). Lending strangers your phone creates 'data chaff' that helps to muddy the call record metadata logs that otherwise tie your device to you as a form of identification and tracking. It provides (some) deniability for any calls made while nearby the phonebox. Borrowing a stranger's phone lets you call someone without revealing yourself through caller-id. The close range of bluetooth, imposes a geographic limit on users.
This talk considers why a project like a free phonebox may be useful in countering growing moves to criminalise anonymous communication. People generally see the 'free time' in their mobile cell phone call plans as something that belongs to them. Lending someone in need your phone is also seen as charitable and positive. Therefore, a system that shares phone minutes between strangers provides an easier forum for debate around preservation of anonymity in communication than a similar project lending wifi connectivity. Open wifi has been gradually characterised as a tool for malicious hackers, unethical pirates and tech-savvy criminals despite the significant advantages universal connectivity could offer. Historical examples of anonymising connectivity including phoneboxes and postal systems are discussed.
The public phonebox in particular has long been associated with elements of privacy, secrecy and anonymity. The physical box affords a semi-private space in a public setting. Sound is difficult to overhear, but the caller is still in view of those nearby. Phoneboxes have historically used an anonymous payment system of coins, and require no identity authentication for access. In many countries policies of regulating call costs and mandating maintained phonebox coverage have established phoneboxes as anonymous connectivity commons. Many accounts of phoneboxes in popular culture portray them as valued resources of personal independence. Phoneboxes often provide the backdrop for narratives of family contact, emergency assistance or first kisses. The cheap and near universal nature of the phonebox makes them a recognisable anchor of reliability in new situations and locations. I would argue it is no coincidence that Superman turns to the phonebox for a moment of privacy when changing from one pseudonym to another.
Ben Dalton is an artist and academic researcher trained in physics, electronics and communication design, who has worked on projects on distributed sensor networks and ubiquitous computing at the MIT Media Lab, USA, big screens and pocket screens in public space at Leeds Beckett University, UK, the aesthetic, ethical and spatial dimensions of the politics of data at the National Academy of Art & Design in Bergen (KHiB), Norway, and digital pseudonymity at the Royal College of Art, UK. He has presented recent work on identity and pseudonmyity at the Institute of Contemporary Art (ICA) London, Foundation for Art and Creative Technology (FACT) Liverpool, FutureEverything Manchester, Today's Art The Hague, Abandon Normal Devices Liverpool, World Wide Web Conference (WWW2013) Rio de Janeiro, Sensuous Knowledge Bergen, and Designing Interactive Systems (DIS) Newcastle.
Presenters:
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Ben Dalton
Ben Dalton is an artist and academic researcher trained in physics, electronics and communication design, who has worked on projects on distributed sensor networks and ubiquitous computing at the MIT Media Lab, USA, big screens and pocket screens in public space at Leeds Beckett University, UK, the aesthetic, ethical and spatial dimensions of the politics of data at the National Academy of Art & Design in Bergen (KHiB), Norway, and digital pseudonymity at the Royal College of Art, UK.
Ben Dalton is currently investigating the theme of 'design for digital pseudonymity' at the Royal College of Art. Ben is a Principal Lecturer in the Faculty of Art, Environment & Technology at Leeds Beckett University, and is undertaking doctoral research as part of the UK Arts & Humanities Research Council (AHRC) Creative Exchange hub. Ben has recently shown work, given talks and run workshops on themes of digital identity performance and control, including the Institute of Contemporary Art (ICA) London, Foundation for Art and Creative Technology (FACT) Liverpool, FutureEverything Manchester, Today's Art The Hague, Abandon Normal Devices Liverpool, World Wide Web Conference (WWW2013) Rio de Janeiro, Sensuous Knowledge Bergen, and Designing Interactive Systems (DIS) Newcastle.
Ben has a background in ubiquitous computing and mobile sensor networks from the MIT Media Lab and print design from Middlesex University, and has conducted research in the Århus University Electron-Molecular Interaction group, University of Leeds Spintronics and Magnetic Nanostructures lab, and Jim Henson’s Creature Shop, London. Recently he has been a regular guest Professor at the Bergen National Academy of Art and Design, and co-investigator on two UK Engineering and Physical Sciences Research Council (EPSRC) funded research projects. He is also currently co-directing the Data is Political project in to the aesthetic, ethical and spatial dimensions of information and its relation to power, the production of knowledge, and construction of urban spaces.
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